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Current

Who we are

Reel · 35mm

the team your brand hires twice.

We believe the best work comes from the right people on the job. Whether it's a commercial for your flagship product, a month of social content, or photography for the whole brand, we bring the team that fits and stay accountable for the results. Whatever it is, you're covered.

Section · 01

who we are.

Current started as a group of friends who kept seeing the same gap: real businesses with nothing reliable behind their content. Great brands were posting like an afterthought, or paying retainers for work that never moved a number. So we built the thing we couldn't find.

We operate as a compact senior team, pulling in specialists per project. Story still sits at the core of everything we make, but every piece has a job to do: earn attention, hold it, and turn it into growth you can measure.

Today we partner with established local brands to run their content end to end: commercial video and photography, plus the social engine behind them: strategy, production, posting, and paid. Organic builds the audience. Paid multiplies it. We're accountable for both.

We're also close collaborators with Gaussian Sound Co., giving us the ability to create custom sound design, mixing, and original scores for any work.

Why the octopus

one head. eight arms with minds of their own.

The octopus on our door isn't a mascot. It's the most accurate diagram of how Current works that nature ever drew.

Fact · 01

Nine brains

One central brain, plus a mind in each of its eight arms. Two thirds of its neurons live in the limbs, so every arm can sense and act on its own.

That's our org chart. One brain owns your story. Eight arms, directing, cinematography, photo, edit, color, sound, social, and paid, each senior enough to think for itself. Your project moves in parallel, not in line.

Fact · 02

Three hearts

An octopus runs on three hearts, all beating at once.

So do we: story, craft, and results. If a piece of work is missing one of the three, it doesn't ship.

Fact · 03

Instant camouflage

Its skin matches any environment in under a second, color, pattern, even texture.

We take on your brand's voice, not the other way around. If the work looks like an agency made it, we missed.

Fact · 04

No bones

No skeleton at all. It fits through any gap bigger than its beak.

No bloated structure, no minimum ceremony. We shape ourselves to the job, a one day shoot or a year of content.

Fact · 05

The escape artist

Octopuses open jars, carry tools, and famously get out of locked tanks.

Every shoot day throws a problem nobody planned for. You want the animal that gets out of the tank.

Yes, every fact above is real biology.

Put eight arms on your brand→

The team

Trevor, Current team
Trevor
Devin, Current team
Devin
Cameron, Current team
Cameron

Behind the scenes

how it looks from our side.

More on the photo wall→
Directing at the chairlift
Easyrig, deck coverage
The crew at the tailgate
Gimbal build, night exterior
A-cam in the woods
Calling the take
Camera checks
Grip haul
Interview coverage in the studio
Lighting the interview
Directing at the chairlift
Easyrig, deck coverage
The crew at the tailgate
Gimbal build, night exterior
A-cam in the woods
Calling the take
Camera checks
Grip haul
Interview coverage in the studio
Lighting the interview

What we do

every job,
in good hands.

Directors, editors, photographers, strategists, all matched to your brand and never forced onto it.

01Covered

Brand films & commercials

Concept to delivery.

02Covered

Social content, run monthly

Video + photo, planned, shot, posted.

03Covered

Paid ad creative

Built to convert, tested to prove it.

04Covered

Photography

Product shots to full campaigns.

05Covered

Music videos

Built around the track.

06Covered

Event coverage

Shot, cut, delivered fast.

A camera, a calendar, a result. Covered.—

Everything we do

Section · 02

the future of film production.

Attention lives in the feed now. The brands winning aren't the ones with the biggest ad buy, they're the ones publishing consistently, in their own voice, with paid spend multiplying what already works.

Where things are headed: brands operating like media companies: a steady engine of video and photo made for their channels, shaped by what the numbers say, and amplified where it counts. Faster, more personal, more efficient, and it compounds.

Timeline · How we got here

  1. 1960s

    Film production required massive budgets, large crews, and specialized equipment. Only studios and major companies could realistically produce video content.

  2. 1990s

    Camcorders and early digital tools made filming more approachable. Crews got smaller, costs dropped, and everyday people could finally experiment with video.

  3. 2000s

    Digital cameras replaced film, editing moved to computers, and production became faster and cheaper. Independent creators could produce solid work without studio-level resources.

  4. 2010s

    DSLRs, affordable cinema cameras, and social platforms (YouTube, Vimeo) opened the doors wide. A small team or a single creator could produce content that competed with traditional productions.

  5. 2020s

    Technology advanced so quickly that compact teams could execute projects that once required huge sets. High-quality cameras, lighting, and stabilization gear became accessible, enabling creators to produce commercial-level work with minimal overhead.